Webcomics: q v i e t

Go to: q v i e t (via Sean T. Collins)

John Carter

· The advanced word of mouth on Disney Studio's John Carter was that it was a flop. No one was willing to give a film based on Edgar Rice Burroughs' classic character half a chance. That's a shame, for while it won't win any major awards for acting or screenwriting, this is as good way to waste two hours as any. And frankly, I was interested to see how the movie would be able to update Burroughs' work.

· I should mention that I've never read the Barsoom book series. But I grew up when luminaries like Carl Sagan were promising that manned missions to Mars were just around the corner. So I'm a sucker for anything that recaptures that spirit of wonder. And the sword-fighting action doesn't hurt.

· Given that John Carter established the template for fictional works from Flash Gordon to Avatar, the plot is already well-worn. An Earthling, preferably a white male, goes to alien planet and becomes a hero to the natives. The racial overtones must have stood out even more in the original books. John is a former Confederate soldier who encounters green-skinned aliens and "Red Men". The movie naturally tames much of that. John is played as a disillusioned man who is sick of war rather than as a belligerent imperialist. But the movie also reinforces the subtext in it's own unoriginal way. The more "civilized" human characters of Mars (all of them of aristocratic lineage) talk with British accents while the more tribal nonhuman Thark speak with non-Anglicized accents.

· John Carter isn't self-consciously campy, but it doesn't take itself too seriously either. The Jokes emerging from the material don't feel forced. The cast in general is pretty competent. And there's just enough world-building to impart a sense of a longstanding struggle involving nations possessing different technological levels, and varied complex cultures. It's by no means perfectly paced or wholly cohesive, probably a byproduct of adopting the source material to the filmic structure. But it went by quickly enough. Even the disorientating parts were fun.

· Dejah Thoris is easily the best-written character in the movie. It's obvious that she's cut from the classic "damsel in distress" mold, and that her falling in love with the hero is inevitable. But whatever was done to update her doesn't fall into the "strong female character" cliche either. She's fully capable - strong, fierce, intelligent, and cunning. But she's understandably driven by desperation, as she's the only person in the story who comprehends just how bad things will get if she's forced to marry the power-hungry Sab Than. She lies to the non-committal John because this is the only way to convince him to take up her cause.

· I watched the 3D screening, and found that it didn't add anything to the movie. If anything, it made the Depth-of-Field framing shots look noticeably worse.

· This isn't a particularly violent movie. But making the blood blue was an effective way to portray some of the gorier scenes.

· Woola is cute.

· The Barsoom series marks the general public's early fascination with the planet Mars. Unfortunately for the movie, this fascination is at a low point right now. And while the movie isn't bad, its story would feel familiar to fanboys, because it it is.

WIP #1 and Trese: Last Seen After Midnight

Hey, I finally read some komiks this year! Good for me. Now on to the reviews.

WIP (Work in Progress) #1
by Hub Pacheco and Teddy Pavon

WIP first began as a webcomic before seeing print as a mini. Its first ten pages introduce the reader to the main protagonist Eli, a twenty-something slacker and principal narrator who often addresses the reader directly. In the beginning, he's rendezvousing with an attractive girl in front of a comic book store. This opening is the best part of the comic. But the story suddenly breaks away in order for Eli to talk more about his background.

While I wanted to to sympathize with his plight, Eli comes across as more ingratiating than interesting. This is because he's a fairly generic character. His constant patter of fanish in-jokes gets tiresome after awhile. And much of the comic's content can be described as him and his circle of friends rambling on about various geeky topics with little in the way of a strong connecting thread. One moment they're reminiscing about their failed comic book from their college days, next they're praising the Philippine comic industry while mocking mainstream crossover events. Did I mention that in addition to being an underemployed man-child, Eli complains a lot about his inability to hook a girlfriend?

The loose, gag-filled structure isn't compensated for by the anime-inspired art though. It isn't adroit enough to make the gags more compelling, or versatile enough with the characters' expressions to make them more varied and charming. And the story never quite returns to address the opening scene of the comic. Some judicious editing could have helped a lot to tighten the narrative.

Trese: Last Seen After Midnight
by Budjette Tan and KaJo Baldisimo

I believe it's been two years since the last volume featuring Alexandra Trese, Manila's renowned supernatural crime-fighter. Given how that book contained a story arc which engaged in some serious world-building, it's slightly disappointing that the series creators have gone back to the "corpse of the week" format. But the riffs on popular culture are entertaining in their own right. Their preferred mode is to blend well-known Manila landmarks with various local folklore and superstitions. The first story "Cadena de Amor" about elemental spirits haunting the darker recesses of Luneta Park is the most typical entry. "A Private Collection" is jarring in that the main antagonist is patterned after the stereotypical big game hunter who hunts more unusual creatures just for the thrill of it. This makes it feel more like a conventional superhero story. The more hip "Wanted: Bedspacer" in which a rash of student deaths taking place close to several college campuses is connected with another kind of spirit, seems derived from contemporary Asian horror cinema. This is the book's best-paced story and is the only one in which Alexandra doesn't come up with the right answer on her first guess, or resolve the problem with violence. That's countered with "The Fight of the Year", a rousing patriotic tale in which an analog of the famous boxer and local hero Manny Pacquiao battles the underworld on behalf of the nation. For once, Alexandra is a spectator and supporting character.

While the book doesn't break new ground, the level of skill and artistry on display shows significant improvement from earlier efforts. The stories themselves aren't particularly terrifying, although they can be creepy and oppressive at times. There are a few references made to past events to keep readers guessing about continuity. So it's a no-brainer for fans of Trese. But the stories are also self-contained enough that new readers could probably use them as a jumping on point, which might be the reason for the return to this format.

Laziness

Go to: Lucky by Gabrielle Bell

Unintentional

Go to: SuperMutant Magic Academy by Jillian Tamaki

No teenage boy wants to be compared to Georgia O'Keeffe! Amiright?

And you thought your job sucked

Go to: Tor.com, by Faith Erin Hicks

That Old Thing

Go to: Hark! A Vagrant by Kate Beaton

Avatar The Last Airbender: The Promise Part 1

Writer: Gene Luen Yang
Art: Gurihiru

This latest comic adaptation of the popular animated series Avatar The Last Airbender functions as a bridge between the original and its upcoming sequel Legend of Korra. Writer Gene Luen Yang is a fan, and was a highly vocal critic of its film adaptation. The Promise could be described as almost a mini fourth season, with the narrative picking up right were the TV series left off. While this best serves the interests of its already established fanbase, Yang does try his best to get new readers up to speed with a short recap, as well as employing dialogue that keeps them informed about character backstories without becoming too obnoxious.

But fans will be pleased to know that the comic hews fairly close to the tone of the cartoon, which is to say that it feels like a natural progression of what came before. The art supplied by Gurihiru studios ages the characters slightly, but otherwise it looks like it could have been lifted from the series itself (minus the sound and motion off course).  Yang also gets the comic banter between them just right.

Where Yang has to inject some original content is in the maturation of the cast. At a certain point the story jumps forward a year as they try to deal with the fallout from the century-long war they've managed to end. The protagonists are well into puberty and now have established certain romantic pairings. But this is still a children's book. So a conversation between one couple implies that they are not having sex, while another couple's PDA gets the "icky" reaction from the rest of the cast. Yeesh!

Yang seems to read into the ATLA series messages about real world history. His approach here mirrors the Star Trek method of using the fantasy setting to deliver political commentary. In this case he tackles a favorite topic of his - race and postcolonial identity. Having won the war, the heroes set about dismantling the Fire Nation colonies in the Earth Kingdom. They even come up with the euphemistic label "Harmony Restoration Movement" to describe the undertaking. It's ironic that the intentions behind this policy are truly sincere. And it goes about as well as any forced relocation of communities that have lived in one place for a long time. This starts to muddy the Avatar's original MO of maintaining peace between the nations by keeping them separate. Multi-cultural heterogeneity is suddenly inserted into the ATLA universe. Even one of the main characters is on the receiving end of a racial slur from an angry anti-foreigner mob. This jives with Yang's own concerns, or may simply be a lead up to Korra. Either way it's a "darkening" of the original concept.*

Unsurprisingly, this ambiguity personally affects the cartoon's resident anti-hero Zuko. While now allied to the good guys, he's still prone to making extremely poor off the cuff decisions, which in turn drives the narrative conflict. So his fans will at least be happy to hear that their favorite troubled teenager still hasn't shed certain bad habits. Some people just never learn.

___
* Speaking of darkening, the book's title partially refers to a grim oath Zuko secures from Aang near the beginning. But given how Aang was able to successfully resolve the TV series' central conflict, this seems like an unnecessarily idiotic move.

"A Wrinkle in Time" in one page

Go to: Tor.com, by Faith Erin Hicks

Lilliputian Worlds

Bonsai-B

The Rock Island

Go to: Tokyo Good Idea by Takanori Aiba (via Cyriaque Lamar)

Bonsai trees for the postmodern world.

Leave me alone

Go to: Drawn to Read by Ward Sutton (via Tom Spurgeon)

Jason Turner on the Hour

Go to: The Jason Turner Project

Behind the Legend

Go to: Lauren R. Weinstein (via Heidi MacDonald)

Slowing Down

Due to ongoing difficulties accessing the Web, I haven't been blogging as actively as I'd like to. This will continue for sometime to come, maybe until summer. I haven't put my blog on hiatus yet. But I suppose I'll use the extra time to catch up on my reading.

Jeez, it's been four years, as of today, already?

Who lives in their workspace, and can you eat of the floor?

Go to: ComicsAlliance, by Lauren Davis

I'm always a little curious about the level of organization, or chaos, maintained within different artist studios.

Donna Troy Explained

Go to: ComicsAlliance by Curt Franklin and Chris Haley

Webcomic: Get Your Censor On

Go to: Get Your Censor On by David Rees (via Aaron Colter)

"Life will suck if they censor the internet"

Update: Comics creators and bloggers hate SOPA.

The Resistance

Go to: The Joy of Tech by by Nitrozac and Snaggy

I have no interest in making my blog go dark in order to protest the Stop Online Piracy Act (SOPA) and PROTECT-IP Act (PIPA). But you get the gist.

Illustration: Cathedrals by Simon Gane

Go to: Simon Gane (via Tom Spurgeon)

Webcomic: Tents Beyond Tents

Go to: Cartoon Movement Haiti Week, by Pharés Jerome and Chevelin Pierre (via Tom Spurgeon)

You're not Kirk

Go to: Boldly Gone by Kevin Church and Ming Doyle