3/30/2008

Pretty Face Volume One

 Pretty Face Vol. 1 by Yasuhiro Kano.
Cross-dressing is one of those familiar romantic comedy conventions that goes in and out of style, but will probably never completely vanish. The protagonist gains access to, and is allowed to remain close with a love interest by being disguised as the opposite gender. She won't reveal her true identity for fear of being rejected. But if the relationship is to proceed beyond the platonic level, the disguise has to be discarded. There's the rub, and the catalyst for all kinds of situational humor. Think of Viola in Twelfth Night, or Tony Curtis and Jack Lemmon in Some Like it Hot.

While cross-dressing characters continue to show-up in mainstream entertainment, their traditional comic role has been transplanted into Japanese manga. Sometimes it's a case of playing with the appearance of androgynous-looking bishonen and bishojo: Haruhi Fujioka of Ouran High School Host Club, or the princesses of Princess Princess. But in the short-lived series Pretty Face, creator Yasuhiro Kano comes-up with a most unlikely premise for a romantic story, and proceeds to milk it for all its comic worth. High school bully and karate fighter Masashi Rando is involved in a school bus accident that leaves him horribly disfigured and in a coma for a year. When he finally recovers, he discovers that his parents think he's dead and have moved away leaving no forwarding address. Even more upsetting is that he now wears the face of Rina Kurimi, a girl he secretly likes, because Dr. Manabe, the surgeon who fixed him up, used a photo of her found amongst Rando's personal belongings to reconstruct his face. This gross incompetence progresses into criminal misconduct when he decides to perform a sex change operation on the comatose Rando, who fortunately at that moment regains consciousness. After fleeing from Manabe's clinic, he runs into Rina, who mistakes him for her missing twin sister Yuna Kurimi. Overjoyed by the sudden reunion, she drags him home where he is welcomed back into the family with open arms and no questions asked. Rando's first instinct is to run away, but decides to stay in order not to hurt Rina's feelings. He resolves to track down the true Yuna while continuing to masquerade as her.

Still with me? The real fun begins when Rando/Yuna enrolls at his old school and settles-in with Rina and her friends. He forgets to use the women's toilets, gets involved in the old rivalry between the karate and judo clubs, fends off the advances of a lecherous male teacher, makes excuses to avoid the annual medical exams, all the while dealing with Dr. Manabe's constant suggestions to get rid of that "unnecessary appendage." He initially tries to solve these problems by exploiting his newly acquired good looks and "feminine" charms, but can't help falling back on his old habits of resorting to physical violence. Ironically his actions, which branded him as a delinquent as a boy, now draw so much unwanted attention that an instant fan club is formed by his horde of male admirers. There's nothing subtle about Rando. He's the typical shonen roughneck with a heart of gold. While he acts like a jerk, he's completely devoted to, and highly protective of Rina, happy to be at her side. Rina is herself a rather bland character and no less a manga cliche. Generically quiet, sweet-natured, and smart, she was already conveniently crushing on Rando before his supposed demise.

Yasuhiro Kano has a strong proclivity for drawing cute high school girls. He gets rid of the dorky-looking male Rando in the first half dozen pages of the story. After his transformation, Rando/Yuna is shown in a number of compromising poses that emphasize his attractiveness while threatening to expose his masculinity. Look at the volume #1 cover for example. Would the uninformed person seeing it on a shelf at Borders think that was a boy? At one point he dons a pair of large fake breasts at Manabe's insistence, which convincingly makes him more effeminate than any live actor could by wearing makeup and prosthetics. Unfortunately he can't remove them for the next 24 hours, so he tries to hide them by wrapping them tightly in bandages, with predictably disastrous results. Only with pictures can characters be designed to provide fan service that simultaneously titillates and flummoxes the reader. Kano is also pretty adept at rendering comically exaggerated expressions and cartoon violence, which he uses to good effect to illustrate Rando's gender confusion and ferocious outbursts.

I don't know if it was a lack of commercial success or a decision on Kano's part to end the series, but Pretty Face reached only six volumes in Japan. Weirder manga have lasted longer than that. It's a fairly innocuous product despite Viz giving it a mature content rating. Just lots of goofy fun for young readers.